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the free personality: by definition it is not neurotic, for it has neither conflict nor dream. Liebenson, David, "Video: 'F for Fake' Joins Orson Welles Rarities". "Orson Welles's: "Complicitous Critique: Postmodern Paradox in F for Fake ". Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. _ 1) An interesting illustration of this is the way in which the English flower names which were in use till very recently are being ousted by Greek ones, snapdragon becoming antirrhinum, forget-me-not becoming myosotis, etc. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. In introducing this chapter of his life, Welles declares his uncertainty as to his own authenticity, as he believes he too has engaged in fraud.

F for Fake - Wikipedia
George Orwell: Politics and the English Language
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The author tells me that he felt impelled to write. Yet without a doubt it is the second kind of sentence that is gaining ground in modern English. Statements like Marshal Petain was a true patriot, The Soviet press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. 6 F for Fake is now sometimes referred to as a " film essay." It currently holds an 89 rating on Rotten Tomatoes from 36 critics. People who write in this manner usually have a general emotional meaning they dislike one thing and want to express solidarity with another but they are not interested in the detail of what they are saying. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and. Welles says her story will continue later in the film, and then narrates the story of Elmyr de Hory, an art forger who sold many fake paintings to museums and collectors all over the world. F for Fake (French: Vérités et mensonges, "Truths and lies is a 1973 docudrama film co-written, directed by, and starring. He illustrates the point by shots of the cathedral of Chartres, pointing out that the names of the men who created the magnificent building and the sculptures which adorn it are unknown. References edit Orson Welles box office information in France at Box Office Story Childers, Doug. Bibliography edit Claudia Thieme, F for Fake: And the Growth in Complexity of Orson Welles' Documentary Form (Peter Lang Pub., 1997) 174pp. and incompatible metaphors are frequently mixed, a sure sign that the writer is not interested in what he is saying.